I made my annual trip to the Frightmare convention in Dallas for Saturday. Got there early, got a few autographs, didn't stick around too long. Now, I'll be rambling about my experience this year, just as I always do.
I went with my usual team of @DerTables and Justin, from my old job. So after scouting the place out, my first stop was at Michael Berryman's table. $30 for an autograph and a picture with him. Nice guy, commented on how the movie on my shirt was awesome.

Right after that, I jumped into the next line, featuring Dean Cundey, director of photography. Now, he's got an impressive resume', including several Carpenter films, Zemeckis, and even Spielberg movies. Can't say no when he's only charging $20 for an auto and a pic!

So then we wandered around a bit more, until we found the highlight of the event, Frank Henenlotter himself. He had NO line, and was only charging $20! Dude was cool as shit, and we talked about the penis busting through the wall in Bad Biology, how he ought to make another movie, and how cool Something Weird is. Very friendly guy, and even drew a picture of Aylmer on my autograph.

In the table right next to him, as expected, was Rick Hearst. $20 for pic and autograph. His main claim to fame is Brain Damage, but Der talked to him a little about his soap opera career, which is fairly extensive. Very nice guy.

There weren't too many people I was adamant about seeing, but the last one I deemed necessary was Michael Pare, from The Philadelphia Experiment, Bad Moon, Streets of Fire, etc... $40 for a pic and an autograph. Cool guy, he talked about how much fun he had making "Bad Moon", and praised Eric Red as a director. I mentioned the Steven Seagal movie he was in. "Maximum Conviction", he says, and I told him it bothered me how they built him up as a villain, then Seagal just kills him, no challenge. He told me Seagal doesn't work with other actors, and wouldn't fight him. Steven Seagal, that fat fuck. ๐

And that's about the extent of my visit. I bailed pretty early on, but there were a few more points worth noting.
โข Dario Argento had a massive line, and disappeared very early. I didn't even see him.
โข Freddie Highmore and Ryan Hurst had big lines, and even bigger lines for the Bates Motel panel.
โข Debi Sue Voorhees has grey hair now?
โข Wilford Brimley charged too much, and didn't stick around too long. Diabetes!
โข There were at least 5 chicks with big, awesome boobies.
โข One of them had a huge, intentional hole in her jeans that showed her whole ass. Nice!
โข Danny Lloyd, the kid from The Shining, had a BIG line. Why?
โข I bought some movies a guy directed, one of which is called "Stabbed in the Face" https://www.imdb.com/title/tt2671270/. How cool is that?
Here's the guest list: https://www.texasfrightmareweekend.com/guests/
If anyone has anybody wants to know about anyone specifically, I'll tell you what their lines/cost were.




Not only has it a great screenplay but it is also genuinely-terrifying. It packs in many jump scares where the protagonist could be carrying out unexciting tasks and then suddenly these deceased "people" who do not reflect any life behind the eyes begin to show up. The soundtrack is both eerie and distressing in equal measure to already heightens the bleak, atmospheric and foreboding tone. There is also a nice amount of gore in the film to satisfy those inclined to that and there is some nudity involving strip poker to satisfy all the needs of the horror movie goer.
It was released in 1983 when the "slashers" and sequel fads were just taking off. It was a breath of fresh air in the horror genre that was beginning to run out of ideas in that decade. There is a nice tension that builds and builds to a chilling climax but it is never in a rush to get to that point which allows it to focus on nice character development. There is a strange beauty in the neon colors that are very much present in some important scenes.
Can we escape "deaths" cold grasp? Can we outsmart "death"? Does "death" chase us for what it believes its due? In conclusion, I truly believe that Sole Survivor is just too good to remain as obscure as it is. It is on Youtube as I speak, so don't miss your chance to see this work of art.. I rate it a 9.